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US Man Earns $8 Million from Fake AI Songs and Bot Streams

According to the U.S. Department of Justice, Michael Smith engineered a years-long operation that quietly exploited the royalty systems of major streaming platforms.

NDM News Network

In a shocking case that exposes the dark side of artificial intelligence in the music ecosystem, a 54-year-old man from Cornelius, North Carolina, has pleaded guilty to running a massive streaming fraud that generated over $8 million in royalties, raising serious questions about how easily digital platforms can be manipulated.

According to the U.S. Department of Justice, Michael Smith engineered a years-long operation that quietly exploited the royalty systems of major streaming platforms. What makes this case particularly alarming is not just the scale, but the method. Smith used artificial intelligence to generate “hundreds of thousands” of songs, essentially flooding platforms with content that didn’t exist in any traditional creative sense.

Billions of Streams, None Real

Rather than pushing a few tracks to viral success, Smith took a far more calculated approach. He created thousands of bot accounts and deployed automated software to stream his own songs continuously. To avoid suspicion, he cleverly spread these streams across a vast library of tracks, ensuring no single song appeared abnormally popular.

This strategy allowed the operation to fly under the radar for years. While legitimate artists struggled for visibility and fair payouts, Smith’s AI-generated catalog quietly racked up billions of fake streams, converting them into real money.

Guilty Plea and Industry Fallout

Smith has now pleaded guilty to one count of conspiracy to commit wire fraud, which carries a maximum prison sentence of five years. He has also agreed to forfeit $8,091,843.64.

Beyond the legal consequences, the case highlights a deeper vulnerability in the streaming economy. As AI continues to transform content creation, platforms may now face increasing pressure to strengthen fraud detection systems and rethink how royalties are calculated.

This incident is not just about one individual. It signals a larger threat, where technology meant to empower creativity is now being used to quietly game the system at scale.

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